So, we’ll show you how to establish the key your melody might be in, how to generate a palette of chords that work with it, then create an example progression using those chords.įrom there, you can vary the sounds you use and change up the rhythm and voicing of the chords to suit your own tastes. E is not part of the scale, it becomes E-flat. It's part of this key, so yes it is diatonic is E diatonic to the key of B-flat major If you said no you're correct. Now answer me this: Is F diatonic to the key of B-flat major The answer is yes, because F is right here. always u) for flats (which are also simply formed by attaching a b for bemolle in French. are all the notes that are diatonic to B-flat major. One perennial issue for songwriters is what to do when they’ve come up with a melody line and need a chord progression to fit it. There are two kinds of diatonic scales, major and minor.
The chord progressions used in most pop songs are relatively simple, mostly consisting of a cycle of between two and four chords that are diatonic to the song’s key.ĭiatonic means that the chords are made up of notes in the parent scale of the key - so if a song is in the key of E major, say, then the majority of the notes in the melody will be found in the E major scale, and the notes that make up the supporting chords - bar one or two exotic exceptions maybe - will be taken from the E major scale too. The CBb actually is a C7Bb chord Full name: C major triad inverted on Bb Common abbreviations.
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